passing between the lines

Through abstraction and pattern, the Passing Between the Lines series examines the my reaction to the relentless ongoing social and political systems of abuse in this country. Black and white stripe patterns are used throughout each work to evoke multiple layers and meanings.

Stripes are often associated with animals, incarceration, fences, trickery, borders, flags, barcodes and hybridity. The pattern is used as a barrier to signify the displacement of marginalized bodies. This series incorporates visual elements found in the Strangefruit, Invisible Visibility and Sunset Selfies series. These muses are obscured from their identity creating a psychology of the familiar and ambiguous.

Uprising, 2020, Gouache and ink on paper, 69 x 60 inches

Veiled Smile, 2020, Gouache and ink on panel, 24H x 18 x .75 inches
Lift Off, 2020, Gouache and ink on panel, 24 x 18 x .75 inches
Residue, 2020, Gouache, ink and spray paint on panel, 24 x 18 x .75 inches
Passing Between the Lines, 2020, Gouache and ink on panel, 24 x 18 x .75 inches
Navigating Along the Edge, 2020, Gouache and ink on panel, 24 x 18 x .75 inches
Layered Consciousness, 2020, Gouache and ink on panel, 24 x 18 x. 75 inches
Chemical Skies, 2020, Gouache and ink on panel, 24 x 18 x .75 inches
Quicksand, 2020, Gouache and ink on panel, 24 x 18 x .75 inches
Mother of Invisible Stripes, 2019, Ink on paper, 82.5 x 52.5 inches
Image of Mother of Invisible Stripes in artist’s studio at Project for Empty Space, Broad Street, Newark, location, 2020.
Bandit Twins on the Periphery of Not Being Enough, 2019, Ink on paper, 78.5 x 107 inches (Diptych)
Image of Bandit Twins on the Periphery of Not Being Enough (diptych) with installation A Quiet Presence (free-standing laser cut double sided mirrored sculptural) from two-person exhibition entitled, I Am Large, I Contain Multitudes: David Rios Ferreira and Shoshanna Weinberger , Mueller Gallery, Caldwell University, Caldwell, NJ, February 2020.

Read more about this series in the following article I wrote for the Critics Page, invited by curator Jasmine Wahi in the Dec 2020/Jan 2021 issue of the Brooklyn Rail.

https://brooklynrail.org/2020/12/criticspage/Intersectional-Nomad